به یاد عباس کیارستمی
نمایش آخرین اثر
فیلم «,مثل یک عاشق کیارستمی», سومین فیلم برتر قرن 21
«,مثل یک عاشق», فیلمی ژاپنی و فرانسوی محصول سال ۲۰۱۲ به کارگردانی عباس کیارستمی است که در جشنواره&zwnj,ی فیلم کن در دوره&zwnj,ی شصت و پنجم به نمایش درآمد.
آکیکو، شخصیت اصلی داستان، یک دانشجوی جامعه&zwnj,شناسی است که علاوه بر درس، دور از چشم دوست&zwnj,پسر بدبینش، به فاحشگی برای افراد متموّل می&zwnj,پردازد. تاکشی، استاد بازنشسته دانشگاه یکی از مشتریان آکیکوست که به جای برقراری ارتباط جنسی با او، بیشتر علاقه&zwnj,مند به گذراندن وقت با پختن شام برای اوست. صبح روز بعد، آکیکو امتحان دارد و تاکشی او را به دانشگاه می&zwnj,رساند. نوریاکی، دوست&zwnj,پسر آکیکو، به تصور این که تاکشی پدربزرگ اوست،
مثل یک عاشق (به انگلیسی: Like Someone in Love) فیلمی ژاپنی-فرانسوی محصول سال ۲۰۱۲ به کارگردانی عباس کیارستمی است. رین تاکاناشی، تاداشی اوکونو و ریو کاسه بازیگران اصلی آن هستند. این فیلم، به عنوان یکی از ۲۲ فیلم بخش مسابقه شصت و پنجمین دوره جشنواره فیلم کن حضور داشت.
وبسايت ما: ,www.iranian.film
كانال تلگرام ما:
https://telegram.me/vancouveriranianfilm
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A Tribute to Abbas Kiarostami: Like Someone In Love
 ,
Vancity Theatre Screening
(Iran, Japan, France, 2012, 109 mins, DCP)
In Japanese with English subtitles
Director:
Abbas Kiarostami
CAST Tadashi Okuno, Rin Takanashi, Ryo Kase
Classification: 19+
Related links: TRAILER
NEW YORKER OBITUARY
Showtimes
Aug 18 06:30 pm
Vancity Theatre
When Iranian master director Abbas Kiarostami passed away last month the film world united in grief: this was a filmmaker who transcended all borders. His last complted feature is a strange, seductive and beguiling love story set in modern Tokyo.
Akiko (Rin Takanashi) is a beautiful, reserved young student who works as a prostitute on the side. Takeshi (Denden) is her client, an elderly academic who could be her grandfather. Noriaki (superstar Ryo Kase) is Akiko&rsquo,s verbose, insecure boyfriend, unaware of her double life.
At least that&rsquo,s who they are as Abbas Kiarostami&rsquo,s Tokyo-set film sets up its narrative. Yet as always with the Iranian master&rsquo,s key works, identity is a slippery, mysterious thing. In Kiarostami&rsquo,s universe&mdash,and in ours&mdash,relationships are infinitely elastic and subject to context that can twist unexpectedly, upending the meaning of who we are entirely. While the film progresses, its characters refuse to play out their roles in the usual manner. Even the director, you might argue, evades and resists his usual role.
The pleasures of Kiarostami&rsquo,s latest film are not confined to intellectual quandary and the life of the mind, however. Filmed by cinematographer Katsumi Yanagijima, (who, as Takeshi Kitano&rsquo,s longtime collaborator [Sonatine, Outrage], has plenty of experience in capturing the visual complexity of modern Tokyo), and made with a crew featuring key members of Kiarostami&rsquo,s usual team, Like Someone In Love is a film full of beauty. One of Kiarostami&rsquo,s references here is Ozu (in the same manner that his previous work, the Tuscany-set Certified Copy, referenced Bertolucci), but unlike Ozu&rsquo,s deliberate, low-key works, Like Someone in Love is seeded with visual set-pieces that have been constructed with a stunning technical virtuosity.
",Every shot &mdash, everything you see, and everything you don&rsquo,t &mdash, imparts a disturbing and thrilling sense of discovery.", AO Scott, New York Times
",A sly, teasing riff on the heart&rsquo,s irrational stirrings&hellip, You emerge elated and slightly dazed&hellip,. But the movie&rsquo,s sense of immutable desire resonates well after the lights have come up.", Scott Foundas, Village Voice
",A daring new direction in world cinema.", Richard Brody, New Yorker
Everyone attending a screening at Vancity Theatre must present a valid membership at the door and be 19+
If you already got your membership make sure to bring the card with you if not you can get it at the dorr. Thanks!
www.iranian.film
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